From the beginning, one of the characteristics of Barboza's work has been the distortion of the image. As constant, this distortion is presented as the ideology that animates his work, in which a rebellious atmosphere is not perceived, but a transgressive position of the reality of human beings and their context.
La Merienda
Hipoinfante
La Mujer en Acecho
Suculento Almuerzo
Venus con Fruta
La Silla
Alrededor de la Preferida
Equilibrio Cotidiano
Cayenas
Espina de Pescado